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The information on this page deals mainly with polishing of
acrylic sheet.
Preparation
The amount of finishing required to produce a smooth, transparent edge is
dependent on the quality of the machined edge. A sharp and properly designed
cutting tool will reduce the amount of the finishing work needed. Finishing
work is also reduced when a spray coolant is used with the cutting tool to
prevent excessive heat build-up.
Polishing Edges
Polishing creates the best finished edge but requires the most preparation.
A well machined (router cut) edge can be polished without prior sanding.
However, a saw-cut must be either sanded, run through a jointer, shaper,
router or edge-finishing machine, or be hand-scraped before it can be
polished. Edge polishing is best done on a stationary polishing head. Use
200 to 350 mm (8” to 14” ) diameter bleached muslin wheels designed with
bias strips which give the buffing wheel a pleated appearance. This design
runs cooler than a stitched buffing wheel design and will do a faster job.
Edge finish quality depends on the selection of the polishing compounds. The
use of a medium cutting compound will give a fairly good finish in one
operation. For a high lustre finish, it is best to first use a fast cutting
compound to remove all sanding marks, and then a high lustre compound for
the final buffing operation.
Be careful to avoid excessive heat build-up when buffing edges. Too much
heat can induce stress into the sheet and eventually cause crazing.
Surface Polishing
If the scratches or machining marks are not too deep, the surface can be
polished without prior sanding. Wheels used for surface polishing can be
from 150 to 300 mm (6” to 12”) in diameter, built up to a width of 38 to 50
mm (1½” to 2”). They are made of soft, bleached muslin for the initial
polishing operation and of soft flannel for the final finishing.
For the first buffing operation use a medium-coarse polishing compound or a
fine compound depending on the depth of the scratches.
When polishing the surface of the sheet, the piece must be kept in motion at
all times. Do not use excessive pressure, as softening from over-heating can
result.
Sanding Edges
Wet sanding is desired for finishing acrylics. Normally, 180 to 320 grit
“wet-or-dry” paper is used along with plenty of water. If done by hand, use
a sanding block to keep the edges even. Only light pressure should be
applied when grinding with power sanders to minimize frictional heat which
can cause gumming from over-heating of the acrylic. Follow the Surface
Polishing instructions for a higher grade finish.
Sanding Surfaces
A scratched surface should not be sanded unless the imperfections are too
deep to be removed by polishing alone. If sanding is required, it is
recommended that wet sanding be used. The application of water makes it
possible to produce a smoother finish, because fine-grit sandpaper can be
used. Without water, this same fine-grit paper would fill up and over heat
the acrylic.
For very deep scratches, a 240-grit or 320-grit paper will be coarse enough
to start the sanding process. This first step should be followed, after
rinsing, by a 400-grit, and then by a 600-grit paper. Be sure to use plenty
of water and rinse the sandpaper frequently to keep it from clogging. With
power sanders, only light pressure should be applied to reduce friction.
Follow the Surface Polishing instructions for a higher grade finish.
Scraping Edges
Easiest of al finishing techniques is scraping. A scraper can be almost any
piece of metal with a sharp, flat edge. Whatever tool you use, it must have
a sharp, square edge.
Hand scraping is an alternative to sanding for preparing the edges for
polishing. Used in conjunction with flame polishing, high lustre edges are
achieved, but without the smoothness of sanded and polished edges.
Clamp the work vertically. Start at the rear of the edge with the scraper
tilted 45° and draw with uniform speed and pressure to the front. A uniform
strip should be removed. Follow an edge polishing procedure for a higher
finish.
Flame
Polishing
Highly polished edges can be obtained by flame polishing
with a hydrogen/oxygen-welding torch. Make sure to reduce the oxygen
content to produce a flame that is bright orange/red in colour, as opposed
to the bluish, almost invisible flame typically used with standard
acrylics. Acrylic sheet has a tendency to turn a milky white colour when
overspray from the flame contacts the surface of the sheet. It is important
to minimize this contact by using a quicker feed rate than would normally be
used for standard acrylics. Hold the torch at an angle and draw the flame
along the edge of the sheet. Practice will help you to estimate the speed
and distance. If the first pass does not produce a completely polished
edge, allow the piece to cool, then try a second pass. For optimum edge
finish, wet sand the edge or pass the sheet through an edge finishing
machine or jointer to remove any tooling marks from previous operations
prior to flame polishing.
Edge Finishing Machines
Commercially available edge finishing machines offer a fast method of
obtaining smooth edges without sanding or scraping. Finishes range from
smooth edges with slight machining marks to smooth, almost polished edges,
depending on the design of the machine and cutting tools used. Machine
finished edges are ideal for cementing or flame polishing, but are sharp and
require some additional fabrication to make them safe for handling.
Care should be taken to adjust the feed rate to eliminate chipping and
melting. Feed rates too fast will result in chipping, while a slow feed rate
will result in melting. Edge finishing machines will vary in cutter diameter
and rotation speed. In general, machines with larger cutter and rotation
speeds will permit faster feed rates without chipping. |